Anthony Drewe and George Stiles (Stiles and Drewe) are a multi award-winning musical theatre writing partnership. Writing credits include Honk! (National / UK Tour / Worldwide); Mary Poppins (West End / Broadway / Worldwide); The Wind in the Willows (UK Tour and West End); Cameron Mackintosh’s new version of Half A Sixpence (Chichester Festival Theatre / West End); Travels With My Aunt (Minerva Theatre, Chichester); Betty Blue Eyes (West End / UK Tour); Just So (Tricycle / Chichester Festival Theatre / Worldwide); Peter Pan – A Musical Adventure (West Yorkshire Playhouse / Birmingham Rep / Royal Festival Hall / Worldwide); Soho Cinders (Soho Theatre / in concert at the Queen’s Theatre); The Three Little Pigs (West End / UK Tour and International Tour); Goldilocks and the Three Bears and The Three Billy Goats Gruff (Singapore Rep).
Future projects include a stage version of Robert Harling’s film Soapdish, and a new musical with director/choreographer Jerry Mitchell.
Independently as a lyricist, Anthony’s credits include The Card (Watermill / Regents Park) and A Twist of Fate (Singapore Rep).
Other projects include: song contributions for Dame Edna Everage’s Look At Me When I’m Talking to You; The Shakespeare Revue (RSC) as well as a variety of material for TV and radio.
Awards include the Laurence Olivier Award for Best New Musical for Honk!, three of the top prizes at the Musical of the Year Awards for Peter Pan and The Three Musketeers, the TMA Best Musical Award (Moll Flanders), The Straits Times Award for Best Musical (A Twist of Fate) and the first ever Vivian Ellis Prize (Just So). Mary Poppins has won 45 major theatre awards around the globe including Tony, Olivier, Helpmann and London Evening Standard Awards. Laurence Olivier nominations include Mary Poppins and Betty Blue Eyes.
Stiles and Drewe’s passion for new musical theatre writing is recognised via the annual Stiles and Drewe Prize for Best New Song, and their new Mentorship Award supported by Music Theatre International (Europe). They are also founding board members of Mercury Musical Developments (MMD), Associate Artists at The Watermill Theatre and patrons of the London Musical Theatre Orchestra and The Musical Theatre Academy (MTA).
