The authors of the landmark Company reunite to turn the traditional showbiz musical on its head in this thrilling and compelling Broadway fable about friendship, compromise and the high price of success. Stephen Sondheim and George Furth expertly blend the excitement and energy of a backstage musical with a poignant and emotional contemporary story about the importance of staying true to one's ideals.
Merrily We Roll Along begins in the present and moves backwards, tracing the lives of wealthy, jaded composer, Franklin Shepard, and his two estranged friends through each milestone of their personal and professional lives (good and bad). The show ends with a touch of rueful irony, as the three best friends at the start of their careers face a bright future: young, talented and enthusiastic about the worlds waiting to be conquered.
Merrily We Roll Along is a modest-sized show that crackles with the wit, humor and intensity that embody the spirit of New York City. With a brilliant "Broadway-style" score and that deep insight one expects from any Sondheim endeavor, Merrily We Roll Along is a spirited and moving cautionary tale for anyone who has ever pursued a dream.
Hi! I am looking into getting rights for a college production in Boston. Would this be impacted by any kind of blanket restriction because of the current Broadway revival?
Will rights be restricted with the upcoming revival, or is this show available for licensing to university MT programs in the 2023-24 school year? (My school is in Indiana)
MTI is pleased to provide the pre-approved rental materials of select songs for your symphonic concert performance. Please note, MTI is unable to grant the necessary Performance Rights with this material rental. The Performance Rights needed must be obtained separately through the individual song’s respective small rights agency such as ASCAP, BMI, or SESAC. Please email concerts@mtishows.com with any questions.
Song Type: Concert/Symphonic Arrangement (Instrumental)
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A Concert/Symphonic Arrangement has been specifically written for use in a concert setting. Generally this means it features a larger, typical symphonic orchestration than what you may find in the show. It is meant to be performed without singers.