Ever wondered what being on tour was like? Check out the touring company of BEAUTY AND THE BEAST's blog! Here you can read interviews with the show's choreographer and director for a rare behind-the-scenes look at the challenges of directing and ...
The New York Times has given Tony winner Elaine Stritch an outstanding review for her new solo show, Elaine Stritch Singin' Sondheim...One Song at a Time. Known for her gutsy interpretations of Sondheim songs - notably "Broadway Baby" from the 1985 ...
Ramona Mallory isn't the only one making her Broadway debut this season. But she is the only one whose first Broadway role is one her mother originally played. In the original production of Hugh Wheeler and Stephen Sondheim's intimate A LITTLE ...
Can't get enough of Stephen Sondheim? Neither can we, which is why we're all big fans of The New York Times' "Times Topics" featuring past articles, photos, interviews and commentary about one of America's most prolific composers - Stephen ...
Over the past few weeks, people have been sharing their favorite Disney moments as part of our MTI ShowSpace Magic of Disney Forum Posting Contest. Meeting favorite characters at Disney World, falling in love with theatre after performing in BEAUTY ...
When the Broadway revival of RAGTIME moved to New York from its original home at D.C.'s prestigeous Kennedy Center, seven actors went with it. In this Washington Post article, these seven actors, including Donna Migliaccio, who plays Emma Goldman, ...
"He gets up early, drinks a pot of strong coffee, and digs."
That's how Frank Loesser's first wife Lynn described his work habits, and his impressive output certainly reflects that. By his death at age 59, Frank Loesser had written five Broadway ...
Currently in previews, the London production of LEGALLY BLONDE: THE MUSICAL is already generating some well-earned buzz - most notably in the form of its lead, British TV star Sheridan Smith. In interviews with The Stage and The Times Online, the ...
The Lynn Ahrens/Stephen Flaherty chamber musical, THE GLORIOUS ONES, is ideal to showcase a strong group of performers whose material ranges from physical comedic gags to poignant ballads. Its small cast size and emphasis on storytelling enables ...
In his latest column, TheatreMania.com's Peter Filichia praises the 1960s musical ERNEST IN LOVE, now playing at the Irish Repertory Theatre. With a thorough look at the show's opening scenes, Filichia favorably compares the show to its source ...