Full Billing

Billing

Based on the novel, Israel Rank by Roy Horniman

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.
A GENTLEMAN'S GUIDE TO LOVE AND MURDER
(100%)
 
Book and Lyrics by
ROBERT L. FREEDMAN
(50%)
Music and Lyrics by
STEVEN LUTVAK
(50%)
Based on a Novel by
ROY HORNIMAN
(25%)
 
No one but producers, prior presenters of the Play and stars of the Play may receive billing above the title, and no one except stars receiving billing above the title may receive larger or more prominent billing than that afforded to Authors.
 
ADDITIONAL TITLE PAGE BILLING: Furthermore, you agree to include the following credit in a conspicuous manner on the title page of all programs and in all advertising and publicity wherever and whenever the full production credits are given, in a type size not less than that accorded to the designers, substantially as follows:
“Original Broadway Production Produced by
Joey Parnes, Sue Wagner, John Johnson,
50 Church Street Productions, Joan Raffe & Jhett Tolentino, Jay Alix & Una Jackman,
Catherine & Fred Adler, Rhoda Herrick, Kathleen K. Johnson, Megan Savage,
ShadowCatcher Entertainment, Ron Simons, True Love Productions, Jamie deRoy,
Four Ladies & One Gent, John Arthur Pinckard, Greg Nobile, Stewart Lane & Bonnie Comley
Exeter Capital/Ted Snowdon, Ryan Hugh Mackey, Cricket-CTM Media/Mano-Horn Productions,
Dennis Grimaldi/Margot Astrachan, Hello Entertainment/Jamie Bendell
Michael T. Cohen/Joe Sirola, Joseph & Carson Gleberman/William Megevick
and
Green State Productions
In association with
The Hartford Stage and The Old Globe”
 
In addition, you agree to include the following credit at the bottom of the title page, on a separate line, in the same font size as the credit accorded to the other theatres and organizations who contributed to the development of the Play:
A GENTLEMAN’S GUIDE TO LOVE & MURDER was developed, in part, at the 2006 Sundance Institute Theatre Lab at the Sundance Resort with continuing Post-Lab Support through its initiative with the Andrew W. Mellon Foundation.
 
Additionally, you agree to include the following credits on title pages for all programs of the Play, in a size no less than 50% of the size of the Author’s credit:
Orchestrations by Jonathan Tunick
Vocal Arrangements by Dianne Adams McDowell & Steven Lutvak
 
SHORTENED BILLING: In advertisements of less than 1/4 page size, and online and mobile ads where in each case only the title of the play, performance dates and venue are provided and in outdoor advertising, transit and taxi ads and marquees where no other person is billed, the following "shortened billing" is permissible:
 
A GENTLEMAN’S GUIDE TO LOVE AND MURDER
 
You also agree to include the author bios whenever the bios of the creative team are included. The author bios can be found at www.mtishows.com/authorbios.

MTI Billing

In accordance with the Performance License, all advertising materials (posters, programs, websites, etc.) MUST include the following credit:
A Gentleman's Guide to Love and Murder
Is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI.
  • www.mtishows.com

In addition, all press releases and press kits MUST indicate the production is licensed by Music Theatre International.

Video Warning

In accordance with the Performance License, you MUST include the following warning in all programs and in a pre-show announcement:
ANY VIDEO AND/OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED.

If you purchase a video license to allow non-commercial video recording of this production, then you MUST include the following warning in all programs and in a pre-show announcement:
ANY VIDEO RECORDING MADE OF THIS PERFORMANCE IS AUTHORIZED FOR PERSONAL, AT-HOME, NON-COMMERCIAL USE ONLY. THE SALE OR DISTRIBUTION OF SUCH RECORDING IS STRICTLY PROHIBITED UNDER FEDERAL COPYRIGHT LAW.