Beetlejuice JR.
It's showtime in this Broadway Junior version of the Broadway hit!
Available in the U.S. and Canada only
Show Essentials
12
Roles
+ Ensemble
PG
Rated
1
Act

Full Synopsis

The show begins with music from offstage ("Prologue: Invisible"). In a graveyard, a Priest and Mourners attend the funeral of Emily Deetz, wife of Charles and mother of Lydia.

The crowd parts to reveal Beetlejuice ("The Whole "Being Dead" Thing"), who has a plan to bring himself back to life involving Adam and Barbara Maitland ("Ready, Set, Not Yet"). Their house has faulty electricity, and they are accidentally electrocuted. Beetlejuice produces The Handbook for the Recently Deceased and intercepts Adam and Barbara. Cheerleaders help Beetlejuice explain the Maitlands' situation ("The Whole "Being Dead" Thing - Part 2"): Movers have arrived, and unless Beetlejuice teaches Adam and Barbara to scare other people, they'll lose everything. The Maitlands agree ("The Whole "Being Dead" Thing - Part 3").

Charles and Delia, a self-proclaimed life coach, plan to turn the Maitlands' old house into a flagship model home. They are hiding their relationship from Lydia, Charles's daughter, who is still mourning. Charles reveals to Lydia that he's selling their old house and forcing everyone to move forward from her mother's death ("Let's Clean Up"). Lydia struggles with her grief and feels abandoned by her dad ("Dead Mom"). In the attic, Beetlejuice explains to Adam and Barbara that they must get the new people in the house to say "Beetlejuice" three times in a row.

Delia tries to connect with Lydia, giving her a yellow dress and explaining that Lydia needs a new perspective ("No Reason"). Delia exits, and Adam and Barbara arrive to scare Lydia… who isn't scared at all ("Ghosts"). The three become friends and hatch a plan to scare Charles.

As Charles is proposing marriage to Delia, Lydia, Adam, and Barbara try to scare them. However, Charles and Delia can't see the ghosts. Lydia, upset, goes up to the roof, where she encounters Beetlejuice ("Invisible - Reprise"). He tries to convince her that, instead of jumping off the roof, she should help him. He demonstrates his powers, including possession, on Adam and Barbara ("Say My Name"). Lydia pushes Beetlejuice off the roof, vowing to teach her dad a lesson with Adam and Barbara.

At dinner that evening, Maxie Dean and his model-wife Maxine arrive with a group of Lawyers. Lydia wears the yellow dress and invites Delia to make a toast. As Delia speaks, she is suddenly overcome by song, and the phenomenon spreads to the others ("Day-O - The Banana Boat Song"). Rather than being put off, Maxie Dean is thrilled.

Lydia's plan has failed, so she uses her last resort: Beetlejuice. The guests scatter in terror ("Showtime!").

Later, Sky and a few Girl Scouts approach the house ("Girl Scout"). Beetlejuice, Lydia, and his Clones scare them away ("That Beautiful Sound"). Lydia takes the Handbook from Beetlejuice, intent on finding her mom. He reveals to his clones that for him to become a living person, he needs to convince Lydia to marry him - but don't worry, it's just a "green card thing."

In the attic, Lydia, Adam, and Barbara follow instructions from the Handbook to go to the Netherworld, but Barbara stops them, claiming the book is dangerous. Lydia vows to do it herself.

Meanwhile, in the living room, Delia's guru, Otho, has arrived to perform an exorcism with a device called "The Soul Box." Beetlejuice tells Lydia that the box can be used to bring her mom back - but when Lydia tries, Barbara is put in danger. To save her, Lydia agrees to marry Beetlejuice. A door appears to send the Maitlands to the Netherworld, but Lydia leaps through instead, with Charles running after her.

In the Netherworld, Miss Argentina and a group of Recently Deceased try to convince Lydia and Charles to go back before JUNO finds them ("What I Know Now"). Lydia rushes deeper into the Netherworld, searching for her mom ("Home - Part 1"). Charles follows her, and the two finally have a conversation about their grief ("Home - Part 2"). They decide to go back home, where the house has been turned into a demonic game show. Lydia enters from the Netherworld wearing a red wedding dress and agrees to marry Beetlejuice, with Charles giving his blessing.

They bring Beetlejuice back to life only to immediately kill him, since, as one of the recently deceased, he'll be instructed to go directly to the Netherworld. Juno, who is Beetlejuice's mother, sends him to the Wasteland, but he returns on a giant sandworm just in time to save everyone else. Beetlejuice returns to the Netherworld, and Charles, Delia, Lydia, and the Maitlands decide to live in the house together ("Jump In The Line").

Casting
← Back to Beetlejuice JR.
Cast Size: Large (21 or more performers)
Cast Type: Ensemble Cast

Character Breakdown

Lydia Deetz

Whip-smart, grieving fifteen- year-old whose dark sense of humor helps her cope with the loss of her mother, Emily. Lydia is unfazed by Beetlejuice’s antics and easily holds her own against both him and all things Netherworld.

Gender: female
Vocal range top: E5
Vocal range bottom: A3
Charles Deetz

Lydia’s father. He wants to help her get over the loss of her mother, although the ways he tries to “help” aren’t really what Lydia needs. Charles is under a lot of pressure between his concerns over Lydia, his secret relationship with Delia, his professional life, and his own grief (which he tries to ignore).

Vocal range top: F5
Vocal range bottom: Bb3
Beetlejuice

The dead guy of the hour! This titular character is zany, spooky, and absolutely hilarious. Though Beetlejuice exists in a morally gray area, he’s more of a trickster than a malevolent threat. He’s happy to align his interests with others, but ultimately, he’s looking out for himself.

Vocal range top: E5
Vocal range bottom: G3
Adam Maitland

Devoted husband of Barbara, just can’t catch a break. While life’s stresses were getting to him – renovation of the house, financial difficulties, and the decision about having a child – he certainly wasn’t ready for death.

Gender: male
Vocal range top: Eb5
Vocal range bottom: Bb3
Barbara Maitland

Barbara's stresses align with her husband’s, in life and death, although Barbara is a bit more adventurous than Adam. She is very kind but also strong-willed and a quick thinker. Barbara immediately bonds with Lydia.

Gender: female
Vocal range top: D5
Vocal range bottom: A3
Delia Schlimmer

Hopelessly (sometimes maniacally) optimistic. She believes fully in her guru, Otho, and considers herself a life coach, though underneath her façade she’s quite fragile and desperately wants to fit in with the Deetzes. Delia loves Charles and genuinely cares about Lydia’s well-being, even if her attempts to connect are somewhat misguided.

Gender: female
Vocal range top: C#5
Vocal range bottom: G2
Maxie Dean

The business tycoon whom Charles hopes to impress.

Gender: male
Vocal range top: C5
Vocal range bottom: C4
Sky
Gender: female
Vocal range top: C5
Vocal range bottom: G3
Miss Argentina

Former beauty queen, greets the recently dead in the Netherworld. She leads “What I Know Now”.

Gender: female
Vocal range top: D5
Vocal range bottom: A3
Maxine Dean

Maxie's fourth (or fifth) wife.

Gender: female
Otho

Delia's guru and occasional exorsist. 

Juno

Beetlejuice’s mother, runs the recently dead intake with an iron fist. She has “a voice like road tar” and no sympathy for anyone.

Gender: female
Ensemble

Includes the Priest, The Recently Deceased (Parachute Jumper, Death by Toaster, Dead Cheerleader, Death by Fireworks, Cigar Mobster, Dead Jockey, Machete Groom, Dead Drill Team, and Hunter with a Shrunken Head), Mourners, Movers (Mover #1, Mover #2), Lawyers, Girl Scouts, Caiter-Waiter, Beetlejuice Clones (Clone #1, Clone #2), Cheerleaders, Studio Audience, Sandworm

Full Song List
Beetlejuice Jr.: Prologue: Invisible
Beetlejuice Jr.: The Whole "Being Dead" Thing
Beetlejuice Jr.: Ready Set Not Yet
Beetlejuice Jr.: The Whole Being Dead Thing (Part 2)
Beetlejuice Jr.: The Whole Being Dead Thing (Part 3)
Beetlejuice Jr.: Let's Clean Up
Beetlejuice Jr.: Dead Mom
Beetlejuice Jr.: No Reason
Beetlejuice Jr.: Invisible (Reprise)
Beetlejuice Jr.: Say My Name
Beetlejuice Jr.: Day-O (The Banana Boat Song)
Beetlejuice Jr.: Showtime!
Beetlejuice Jr.: Girl Scout
Beetlejuice Jr.: That Beautiful Sound
Beetlejuice Jr.: What I Know Now
Beetlejuice Jr.: Home (Part 1)
Beetlejuice Jr.: Home (Part 2)
Beetlejuice Jr.: Jump In The Line

Curriculum Connection

  • Ancient Civilizations
  • Science
  • Math
  • Puppet Art
  • Language Arts
  • Music History

Billing

Based on the Geffen Company Picture, with a story by Michael McDowell & Larry Wilson

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.
[Name of Organization]
Production of
(100%)
 
Music and Lyrics by
Eddie Perfect
(50%)
Book by
Scott Brown & Anthony King
(50%)
 
Based on the Geffen Company Picture, with a story by Michael McDowell & Larry Wilson
25%
 
ADDITIONAL TITLE PAGE CREDITS: MTI will contractually require its licensees to include the following credits on title pages for all programs and playbills for the Play:
Orchestrations & Incidental Music
Kris Kukul
Additional Arrangements
Kris Kukul & Eddie Perfect
Dance Arrangements
David Dabbon
Music Producer
Music Producer
Directed on Broadway by
Alex Timbers
Produced on Broadway by
Warner Bros. Theatre Ventures
Langley Park Productions  Jeffrey Richards  Jam Theatricals
IMG Original Content  Rebecca Gold  Ben Lowy
James L. Nederlander  Warner/Chappell Music Inc.  Zendog Productions
in association with
DeRoy Federman Productions/42nd.Club  Latitude Link  Mary Lu Roffe  Terry Schnuck
Marc Bell & Jeff Hollander  Jane Bergere  Joanna Carson  Darren Deverna & Jere Harris
Mark S. Golub & David S. Golub  The John Gore Organization  Ruth & Steve Hendel
LHC Theatrical Fund  Scott H. Mauro  Networks Presentations  No Guarantees  Gabrielle Palitz
Pierce Friedman Productions  Adrian Salpeter  Iris Smith  Triptyk Studios
 
SONG CREDITS: You are contractually require its licensees to bill the title of the following compositions whenever and wherever all songs are billed and to provide full credits on the staff page of the programs in substantially the following form:
“Day-O (The Banana Boat Song)” Written by Irving Burgie and William Attaway. Published by BMG Gold Songs (ASCAP) obo Caribe Music (ASCAP) and Reservoir Media Music (ASCAP) Reservoir Media Management, Inc. Used by permission. All Rights Reserved.
 
“Jump in the Line” by Harry Belafonte, Ralph de Leon, Gabriel Oller and Steve Samuel. Published by Clara Music Publishing Corp. (ASCAP). Administered by Next Decade Entertainment, Inc. All Rights Reserved. Used by Permission.

Video Warning

In accordance with the Performance License, you MUST include the following warning in all programs and in a pre-show announcement:

ANY VIDEO AND/OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED.

Included Materials

ItemQuantity Included
ACTOR'S BOOK30
CHOREOGRAPHY VIDEOS DIGITAL1
DIRECTOR'S GUIDE1
DOWNLOADABLE RESOURCES AND MEDIA1
GUIDE VOCAL AND PERF TRACKS DIGITAL1
PIANO VOCAL SCORE1

Production Resources

Resource