Beautiful: The Carole King Musical
The inspiring true story of Carole King's journey from teenage songwriter to the Rock & Roll Hall of Fame.
US and Canada only
Show Essentials
26
Roles
PG13
Rated
2
Acts

Full Synopsis

Act One

At Carnegie Hall in 1971, Carole sings "So Far Away". Then we go to Brooklyn where 16 year-old Carole tells her mother, Genie, she is going into Manhattan to try and sell a song to Donnie Kirshner. In the long tradition of mothers, Genie is opposed to her daughter's wish and in the equally long tradition of teenagers not caring about their mother's opposition, Carole goes anyway.

At 1650 Broadway, she hears the "1650 Broadway Medley". She then sings her new song "It Might As Well Rain Until September". Donnie says he will take it and hopes she has others.

At Queen's College, Carole meets a handsome young lyricist named Gerry Goffin. They agree to collaborate, musically and romantically, which in both cases turns out to be a fertile arrangement. When they go to Donnie's to play their new song, Carole confesses to Gerry that she is pregnant. Gerry asks her to marry him. It gives her an extra depth of feeling when she sings their new song for Donnie, "Some Kind of Wonderful", which the Drifters then record.

They get an office at 1650. While there, Carole meets a new lyricist Cynthia Weil ("Happy Days Are Here Again) who is looking for a composer to work with. Gerry and Carole sing their new song "Take Good Care of My Baby", during which Barry Mann, the composer with the office next door, enters. Barry meets Cynthia and they decide to collaborate. As they begin to work, sparks fly.

Donnie tells them he needs a song for the Shirelles. The couples compete for the job. In Donnie's office the next morning, Carole and Gerry present "Will You Love Me Tomorrow". Cynthia and Barry perform "He's Sure The Boy I Love". Donnie picks Carole and Gerry's song for the Shirelles and it goes to Number One.

And so, on either side of the same wall, a competition is born. The two teams turn out an amazing parade of songs: "Up On The Roof", "On Broadway", "The Locomotion" and "You've Lost That Lovin' Feeling".

Gerry and Carole are at the taping of a TV special where their new song "One Fine Day" is being performed by the dazzling Janelle Woods. During a break, Gerry confesses to Carole that he is restless in their marriage. He wants to sleep with Janelle, and he doesn't want to lie about it. Carole is stunned. As the song begins again, she takes it over and sings it herself.

Act Two

Carole is in a recording studio doing a demo of "Chains". Gerry is off with Janelle but tells her he will meet her later. Nick, a guitarist, asks Carole to come sing at the Bitter End sometime but she declines — she's a songwriter, not a singer.

The thing with Gerry is getting her down, so she goes and talks to Cynthia, who is also having trouble with Barry — they split up. Carole decides to tell Gerry he has to end the affair with Janelle. As she leaves, Barry comes in. He and Cynthia make up and play their new song, "Walking In The Rain".

Gerry shows up but he is not making sense. He eventually has a breakdown. At the hospital, he tells Carole he will end the affair with Janelle and that he wants to come home. She suggests they make a new start and move to the suburbs. With that, we hear "Pleasant Valley Sunday".

Barry, Cynthia and Donnie come to see the new house. Barry plays their new song, "We Gotta Get Out of This Place". Depressed that he and Carole can't do that as well, Gerry leaves in a funk for the city. While he is gone, it comes out that Barry and Cynthia have seen him with another woman, a singer named Marilyn Wald. Carole goes to Marilyn's apartment and Gerry is there. It's the final straw. She ends their marriage.

At the Bitter End, where Barry and Cynthia hear their song "Uptown", Carole explains she went to LA for a vacation and has started writing on her own. Nick, the guitarist from the studio who asked her to sing with his group, is playing there and urges her to sing. She sings her new song, "It's Too Late".

She decides to move to L.A. At 1650, she says goodbye to Donnie and Barry and Cynthia and plays them a parting present, "You've Got A Friend".

In LA, she records her album, Tapestry. The session goes well until the last song, which she is afraid to sing. It's a song she wrote with Gerry and she is afraid of the feelings it may stir up. Her producer, Lou Adler, persuades her. She sings "(You Make Me Feel Like) A Natural Woman".

The album is a smash. Carole is at Carnegie Hall for a concert. Before the show starts, there is a knock at her dressing room door. It's Gerry. He has brought her a good luck present but has something even more valuable: an apology for all the ways he hurt her. With a full heart he wishes her well.

Carole comes onto the stage of Carnegie Hall alone. She sits at the piano. Then with all the joy inside her, she sings "Beautiful".

And that's the end, except at the end of the curtain call, when the cast and audience sing "I Feel The Earth Move".

Casting
← Back to Beautiful: The Carole King Musical
Cast Size: Large (21 or more performers)
Cast Type: Star Vehicle Female

Character Breakdown

Carole King

An aspiring singer/songwriter. A unique, appealing, funny and vulnerable girl from a Jewish family in Brooklyn. Talented, good natured, unassuming and often the peace maker in difficult situations. A reluctant star with no pretense and a passion for music.

Gender: female
Age: 18 to 30
Vocal range top: Eb5
Vocal range bottom: Eb3
Gerry Goffin

Carole’s boyfriend, songwriting partner and eventual husband. Innately sympathetic, wounded and tortured. An ambitious artist always striving for more.

Gender: male
Age: 18 to 30
Vocal range top: A4
Vocal range bottom: D3
Barry Mann

A songwriter who becomes romantically involved with Cynthia. He is good natured, appealing & neurotic. Ambitious, but likeable.

Gender: male
Age: 18 to 30
Vocal range top: A4
Vocal range bottom: C3
Cynthia Weil

A songwriter who becomes romantically involved with Barry. Carole’s best friend. She is sophisticated, smart & chic with a quick wit. Although self-confident and sarcastic, she is also extremely likeable.

Gender: female
Age: 18 to 30
Vocal range top: E5
Vocal range bottom: G3
Don Kirschner

An influential music publisher and producer. He is a fast talking, energetic force of nature. Powerful, direct & sometimes intimidating, but he has a real affinity for his writers and artists. A hit maker.

Gender: male
Age: 40 to 60
Vocal range top: C#4
Vocal range bottom: A2
Genie Klein

Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life & her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes.

Gender: female
Age: 40 to 50
Neil Sedaka

A singer-songwriter

Gender: male
Vocal range top: G#4
Vocal range bottom: A#3
Nick

A musician.

Gender: male
Janelle Woods

A singer.

Gender: female
Vocal range top: D5
Vocal range bottom: G#3
Marilyn Wald

A singer

Gender: female
Vocal range top: C5
Vocal range bottom: G3
Lou Adler

A record producer and music executive.

Gender: male
Bobby Vee

A singer

Gender: male
Vocal range top: C4
Vocal range bottom: C3
Lead Drifter

Member of the doo-wop group The Drifters

Gender: male
Vocal range top: Eb5
Vocal range bottom: B2
Back-Up Drifters

Members of the doo-wop group The Drifters

Gender: male
Vocal range top: C5
Vocal range bottom: B2
Lead Shirelle

Member of pop group The Shirelles

Gender: female
Vocal range top: Db5
Vocal range bottom: G3
Back-Up Shirelles

Member of pop group The Shirelles

Gender: female
Vocal range top: D5
Vocal range bottom: G3
Righteous Brother #1

Part of The Righteous Brothers duo

Gender: male
Vocal range top: G4
Vocal range bottom: F2
Righteous Brother #2

Part of The Righteous Brothers duo

Gender: male
Vocal range top: F5
Vocal range bottom: F3
Uptown Soloist
Gender: female
Vocal range top: Db5
Vocal range bottom: B3
Lucille

Don Kirshner's secretary

Gender: female
Betty

Carole King's childhood friend.

Gender: female
Little Eva

A pop singer

Gender: female
Vocal range top: E5
Vocal range bottom: Bb3
Full Song List
Beautiful: So Far Away
Beautiful: Oh Carol
Beautiful: 1650 Broadway Melody
Beautiful: It Might As Well Rain Until September
Beautiful: Be-Bop-A-Lula
Beautiful: Some Kind of Wonderful
Beautiful: Happy Days Are Here Again
Beautiful: Take Good Care of My Baby
Beautiful: Who Put the Bomp
Beautiful: Will You Love Me Tomorrow
Beautiful: He's Sure the Boy I Love
Beautiful: Up on the Roof
Beautiful: On Broadway
Beautiful: The Locomotion
Beautiful: You've Lost That Lovin' Feeling
Beautiful: One Fine Day
Beautiful: Chains
Beautiful: Walking in the Rain
Beautiful: Pleasant Valley Sunday
Beautiful: We Gotta Get Out of This Place
Beautiful: Will You Love Me Tomorrow (Reprise)
Beautiful: Uptown
Beautiful: It's Too Late
Beautiful: You've Got a Friend
Beautiful: (You Make Me Feel Like) A Natural Woman
Beautiful: Beautiful
Beautiful: I Feel the Earth Move

Billing

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.
The Licensee agrees to bill the Play and the Authors in all programs (on the title page), houseboards, displays and in all advertising and all paid publicity, in the following manner:
BEAUTIFUL
The Carole King Musical
(100%)
 
Book by
Douglas McGrath
(50%)
 
Words and Music by
Gerry Goffin & Carole King
(50%)
Barry Mann & Cynthia Weil
(50%)
 
Music by Arrangement with
Sony Music Publishing
(50%)

 

Orchestrations, Vocal and Incidental Music Arrangements
Steve Sidwell
(35%)

 

Additional Music Arrangements by
Jason Howland
(35%)

 

MTI will contractually require its licensees to include the following credits on the title page of all programs for the Play:
Originally Produced on Broadway by
Paul Blake
(35%)
Sony Music Publishing
(35%)
Mike Bosner
(35%)

 

In advertisements of 1/4 page size or less, where only the title of the Play, performance dates and venue are provided and in taxi ads where no other party is billed, the following "shortened billing" is permissible:
BEAUTIFUL
The Carole King Musical

 

In addition, the licensee agrees to include the authors' approved biographies wherever biographies of any other creative team members appear, including programs and websites. You can find approved author biographies at http://www.mtishows.com/authorbios
 
SONG CREDITS: As an integral part of this license, you further agree to insert in each program of the Play the following credit lines exactly as listed for each of the following compositions:
 
“Be Bop a Lula” by Tex Davis and Gene Vincent. Sony/ATV Songs LLC (BMI) and Three Wise Boys Music LLC (BMI).
“Beautiful” by Carole King. Colgems-EMI Music Inc. (ASCAP).
“Chains” by Gerry Goffin and Carole King, Screen Gems-EMI Music (BMI).
“Happy Days Are Here Again” by Milton Ager and Jack Yellen. EMI Robbins Catalog Inc. (ASCAP). Special lyrics by Douglas McGrath and Cynthia Weil.
“He’s Sure the Boy I Love” by Barry Mann and Cynthia Weil. Screen Gems-EMI Music Inc. (BMI).
“I Go Ape” by Neil Sedaka and Howard Greenfield. Screen Gems-EMI Music Inc. (BMI) and Universal/BMG (BMI).
“It Might As Well Rain Until September” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“It’s Too Late” by Carole King and Toni Stern. Colgems-EMI Music Inc. (ASCAP).
“Little Darlin’” by Maurice Williams. Cherio Corporation (BMI) 100%.
“The Locomotion” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“Love Potion #9” by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP)
“Oh Carol” by Neil Sedaka and Howard Greenfield. Screen Gems-EMI Music Inc. (BMI) and Universal/BMG (BMI).
“On Broadway” by Barry Mann, Cynthia Weil, Jerry Leiber and Mike Stoller. Screen Gems-EMI Music Inc. (BMI).
“One Fine Day” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“Pleasant Valley Sunday” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“Poison Ivy” by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP).
“So Far Away” by Carole King. Colgems-EMI Music Inc. (ASCAP).
“Splish Splash” by Bobby Darin and Jean Murray. EMI Unart Catalog Inc. (BMI), Trio Music Co. Inc. (BMI) and Alley Music Corp. (BMI).
"Stupid Cupid” by Neil Sedaka and Howard Greenfield. Screen Gems-EMI Music Inc. (BMI) and EMI Longitude Music (BMI).
“Take Good Care of My Baby” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“There Goes My Baby” by Jerry Leiber, Mike Stoller, Ben King, George Treadwell and Lover Patterson. Sony/ATV Songs LLC (BMI).
“Up on the Roof” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).
“Walking in The Rain” by Barry Mann, Cynthia Weil and Phil Spector. Screen Gems-EMI Music Inc. (BMI). EMI Blackwood Music Inc. obo Mother Bertha Music (BMI).
“We Gotta Get Out of This Place” by Barry Mann and Cynthia Weil. Screen Gems-EMI Music Inc. (BMI).
"Who Put the Bomp” by Barry Mann and Gerry Goffin. Screen Gems-EMI Music Inc. (BMI).
“Will You Love Me Tomorrow” by Gerry Goffin and Carole King. Screen Gems EMI Music Inc. (BMI).
“Yakkety Yak” by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP).
“(You Make Me Feel Like a) Natural Woman” by Gerry Goffin, Carole King and Gerald Wexler. Screen Gems-EMI Music Inc. (BMI).
“You’ve Got A Friend” by Carole King. Colgems-EMI Music Inc (ASCAP).
“You’ve Lost That Lovin’ Feeling” by Barry Mann, Cynthia Weil and Phil Spector. Screen Gem-EMI Music Inc, (BMI), EMI Blackwood Music Inc. obo Mother Bertha Music (BMI).

Video Warning

In accordance with the Performance License, you MUST include the following warning in all programs and in a pre-show announcement:

ANY VIDEO AND/OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED.

Included Materials

ItemQuantity Included
LIBRETTO/VOCAL BOOK30
PIANO CONDUCTOR'S SCORE2

Production Resources

Resource
KEYBOARDTEK
PERFORMANCE ACCOMPANIMENT RECORDING
REHEARSAL ACCOMPANIMENT RECORDING

STANDARD ORCHESTRATION

InstrumentationDoubling
BASSELECTRIC BASS , UPRIGHT BASS
DRUMSTRAP SET
GUITARELEC. STRATOCASTER , ELECTRIC GRETSCH , NYLON STRING GUITAR
GUITAR 2ACOUSTIC GUITAR , ELECTRIC GUITAR , ELECTRIC TELECASTER , STEEL-STRING ACOUS. , 12-STRING GUITAR
KEYBOARD 2
KEYBOARD 3
PERCUSSIONBELL TREE , BIG SHAKER , CASTANETS , CONGAS , FINGER CYMBALS , MARK TREE , SLEIGH BELLS , SMALL SHAKER , TIMPANI , TRIANGLE , WOODBLOCK , 2 TAMBOURINES
REED 1ALTO SAXOPHONE , FLUTE , OBOE , TENOR SAXOPHONE
REED 2BARITONE SAXOPHONE , CLARINET , FLUTE , TENOR SAXOPHONE
TROMBONEBASS TROMBONE , TENOR TROMBONE
TRUMPETFLUGELHORN , TRUMPET